Could it be sacrilege to declare that the best-looking movie set in Paris was shot by a few Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French capital – along with the neoclassical edifices of Mussolini’s Rome – in cool blues and shards of sunshine as sharp given https://colab.research.google.com/drive/1uOuqECQ6jeJrjgNVNnwzuHGx1fUW-_eg?hl=bg